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Market Scenario The Client Virtualization Market Growth is anticipated to grow by US$ 9.25 billion by 2023 rapidly growing at a CAGR of 12.6% during the forecast period. The global z is driven by increasing adoption of BYOD trends and work from home trends. These factors have helped shape the client virtualization market and are expected to boost the growth. Companies in the client virtualization market could also face challenges such as connectivity problems, unavailability of resources in some countries, and weak IT infrastructure. The details covered in the client virtualization market report cover all the aspects of the industry. Analysts studying the client virtualization market have also shared growth projections in the report and have suggested client virtualization market players to plan business strategies accordingly. COVID-19 Analysis The business impact of SARS-CoV-2 has been felt across diverse sections of the information technology industry, albeit at different levels. Companies in the technology sector that supply services for verticals like travel, retail, hospitality, and entertainment have noted a dramatic decrease in sales, while the firms that provide services related to remote worker solutions have observed the opposite. Client Virtualization Market ’s fate post pandemic has been relatively less grim compared to Education Services (ES) and Professional Services (PS) that are mostly dependent on components that are generally on-site. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7695 Competitive Outlook The client virtualization market is supported by growing demand for faster network technologies and rise of 5G. The population growth around the world and increasing demand of client virtualization market based services and products also support the market growth. However, the client virtualization market growth can be affected due to too much reliance on conventional methods and underdeveloped infrastructure. The report covers all such details which will help companies in the client virtualization market to strengthen their business plan and improve their product portfolio. The client virtualization market research report also provides company profiles of major companies. The company profiles of many organizations operating in the client virtualization market report highlights crucial details like company size, revenue growth, and details of mergers and acquisitions taking place in the client virtualization market. New companies and established businesses can plan their strategies based on this data provided in the client virtualization market research report. Segmentation The global client virtualization market has been segmented based on industry vertical, organization size, and virtualization type. On the basis of vertical, the market for client virtualization is segmented based on presentation virtualization, application virtualization, desktop virtualization. Additionally, the market on the basis of organization size, is segmented into large enterprises and small medium-sized enterprises (SMEs). 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Browse Full Report Details @ https //www.marketresearchfuture.com/reports/client-virtualization-market-7695 List of Tables Table 1 Global Client Virtualization, By Region, 2020–2027 Table 2 North America Client Virtualization Market, By Country, 2020–2027 Table 3 Europe Client Virtualization Market, By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Client Virtualization Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of The Global Client Virtualization Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. 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【登録タグ ALiCE'S EMOTiON Intervention R 佐伯佑佳 曲 虎柄の毘沙門天】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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CHAPTER XXV UP CHAPTER XXVII CHAPTER XXVI The Story Club Is Formed Junior Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I m positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I ll get used to it, but I m afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don t believe I d really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I m tired. I simply couldn t sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That s one splendid thing about such affairs--it s so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell s bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon s sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy s little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne s birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter s Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I m thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I m in my teens. When I woke this morning it seemed to me that everything must be different. You ve been thirteen for a month, so I suppose it doesn t seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I ll be really grown up. It s a great comfort to think that I ll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she s fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She s actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I m afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don t they? I simply can t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I m trying to be as much like Mrs. Allan as I possibly can, for I think she s perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn t really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it s proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I m striving very hard to overcome it and now that I m really thirteen perhaps I ll get on better." "In four more years we ll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that s ridiculous. I shall wait until I m seventeen." "If I had Alice Bell s crooked nose," said Anne decidedly, "I wouldn t--but there! I won t say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that s vanity. I m afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there s a rabbit. That s something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They re so white and still, as if they were asleep and dreaming pretty dreams." "I won t mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we re to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it s as easy as wink," said Anne. "It s easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It s called `The Jealous Rival; or In Death Not Divided. I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It s a sad, sweet story. I just cried like a child while I was writing it. It s about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I ve found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she d likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, `What do you say, darling pet, if we get hitched this fall? And Susan said, `Yes--no--I don t know--let me see --and there they were, engaged as quick as that. But I didn t think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn t done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine s friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, `Ha, ha, ha. But Bertram saw it all and he at once plunged into the current, exclaiming, `I will save thee, my peerless Geraldine. But alas, he had forgotten he couldn t swim, and they were both drowned, clasped in each other s arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It s so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew s school of critics. "I don t see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you d only cultivate it," said Anne cheeringly. "I ve just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I ll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It s extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn t know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn t hard for I ve millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You ll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we re so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I m sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I m glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I m having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn t say there was a great deal" was Marilla s encouraging answer. "I m sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn t always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt s pantry and she never had any respect for that minister again. Now, I wouldn t have felt that way. I d have thought that it was real noble of him to confess it, and I d have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That s how I d feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it s high time you had those dishes washed. You ve taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXV UP CHAPTER XXVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 07 (Tue)
https://w.atwiki.jp/touhoukashi/pages/608.html
【登録タグ F Foreground Eclipse Merami Tears Will Become Melodies Tonight Teto 天空の花の都 幽霊楽団 ～ Phantom Ensemble 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/orange_sherbet/pages/24.html
Initial Meetings Definition= The orientation stage The meeting at the beggining Meeting someone new is an opportunity to start fresh and create new bonds, and diving into a new relationship is exciting. How April/September/OYR students find themselves in situations where they have a chance to meet each other. Time usually noon or early night Place public spaaces Participations everybody and everyage Language to communicate English, Japanese and so on The purpose finding friends Kind ELP, JLP, Club, Class, Party and so on Analysis 1 Findig someone It may be matter to find someone to talk with for some people. It needs very strong energy for them. They must have stress very much. At the first of meeting, they select the persons whom talk with carefully. On the other hand, other person do not mind that. → A basic characteristic of forming Japanese relationships seems to be the consideration of the benefit of the relationship beforehand, because in Japan, individuals are not so much considered for their own ability, but who they know. 2 Starting chat When some people find suitable person to talk, they approach the person with shyly. And asking where the person lives, how old the person is, or which club the person join, they start the talking. If they find the common points (same hobby or same hometown), they are feelings rather better. However their nervous will continue. On the other hand, other people may tend to find someone to talk with easy. When they find someone to chat, they will approach with smile, and will start to talking about daily matter (weather or the impression of this meeting). 3 During conversation During conversation, some people try to catch the content which they talk with hard. They look for the conversation. Also, they look for the timing to start or finish the conversation. It is too much warry to talk with someone for them. On the other hand , other people must be good at making conversation. They can cathch the subject with ease. They can bring out the companion characters with easy. They can improve the conversation with enjoyable. In addition, they can continue or stop conversation without consciouness. →Japanese people are concerned about 間合いのつめかた(how to approach= which friends level they are), which means how/when to progress in a relationship, a concept that most foreigners are thoroughly unaware of. The context of a situation and the ability to "read the air" dictates the appropriate behavior in Japanese mind. 4 The latter of meeting The latter of meeting, some people will exchage e-mail addresses. This address may be used or not. They are glad to exchange e-mail addresses. They want to feel that they do their own best to make friends. Exchanging e-mail is the best to make friends. Exchanging e-mail is the proof. Their conversation must be better, because of spending time. 5 The another day after the meeting Some people worry about whether they become friends or not, so when they meet the persons, they hesitate what she react to him or her. On the other hand, some people must not mind that. They think that it was good time with them. We look like not become friends. It is just all. →For [Americans], personality and individual compatibility determine how the relationship will progress. That is to say, the way of making friends is serious problem for some people, at the same time it is not serious problem for other people. Of courese, friends are the importance for both people. Examples / Actual Cases One of the main problems between the groups at ICU, the OYRs, the September students and the April students seems to be actually meeting one another. In Japan there are certain ways one normally makes friends, such as joining a club or living in the dorms. But many of the students do not have these opportunities. For example, many clubs do not want OYR students, who are preoccupied with traveling and are only at ICU for a year anyway. Compared to other Japanese universities, a relatively small number of people join clubs at ICU. So ICU students are already at a disadvantage when it comes to meeting people. Relationships in Japan are therefore taken very seriously, maintained, nurtured, and sometimes extinguished. To many OYRs, this is a strange process...especially to many Americans, who make friends with anyone, anywhere, and for any reason, and rely on their own personal ability to make it in life rather than the relationships they form. Many OYRs initially were interested in joining the Smooth Step circle, which would have been a great way to interact with Japanese students however, it turned out that the Smooth Steppers didn t want OYR students because they couldn t participate in March practices. The practice seemed to made as to completely discourage OYR participation. (It also seems that many Japanese people feel intimidated by foreigners joining clubs! Smooth Step didn t want foreign girls because they are "too cute") Solution / Recommendation / Suggestion etc. Suggestion 1 It is impossible to tell Japanese people to give up on their mindset, so the best thing for a foreigner in Japan to do is understand how Japanese people approach making new relationships. Foreigners should take the initiative when it comes to making Japanese friends, and they should also be aware of "imposing" too much of their own personality on sensitive situations; ie any first meeting one has with Japanese people they hope to befriend! Suggestion2 Everyone consider those to have good conversation each other at initial meeting to make good friends （which is important for making friends?) 1 Quantity Make your contribution as informative as is required Do not make your contribution as informative as is required 2 Quality Try to make your contribution one that is true Do not say what you believe to be false Do not say that for which you lack adequate evidence 3 Relation Be relevant 4 Manner Be perspicuous Avoid obscurity of expression Avoid ambiguity Be brief Be orderly 5 Behavior Do not hurt companion feeling Listen carefully what companion says Edit this page
https://w.atwiki.jp/cod4mod/pages/181.html
Download Mirrors To download the tools, visit any one of the mirror links that have posted the tools ツールをダウンロードするために、ツールを掲示したミラーリンクのいずれか一つを訪問してください： 11/20/08 - Released! Download Mirrors ダウンロードミラー： AusGamers Big Download FilePlanet FileShack GamersHell GameSpot GameZone MODSonline MyCallOfDuty Total Gaming Files WorthDownloading Installation After downloading the tools, you will need to unzip them into your root game directory. After installing the tools, go to root \Activision\Call of Duty World At War\bin and start Launcher.exe ツールをダウンロードした後に、あなたはあなたのルート・ゲーム・ディレクトリにそれらを解凍する必要があります。 ツールをインストールした後に、 root \Activision\Call of Duty World At War\binへ行って、Launcher.exeを始めてください。 Launcher See the Launcher Overview page to see how to operate the Launcher program. ラウンチャー・プログラムを操作する方法を見るために、ラウンチャー概要ページを参照してください。 Note Mod Builder and Compile Tools are no longer used, Launcher replaces both functionality and then some. メモ： Modビルダーとコンパイル・ツールがもはや使われません、ラウンチャーは両方の機能まだまだたくさんに代わります。 Converter After installing your tools, you will need to run Converter at least once before actually using the various tools like Radiant, FX Editor, etc to make sure they operate properly. あなたのツールをインストールした後に、あなたはそれらがきちんと動くことを確認するための光点、FXエディタ、その他のようないろいろなツールを実際に使う前に少なくとも一回コンバータを実行する必要があります。 Note If you re on Vista, you will more than likely need to make sure to change the property on converter.exe to Run As Administrator or turn UAC off otherwise converter might not generate all the assets properly. メモ あなたがVistaの上にいるならば、あなたはきっとさもなければコンバータからUACを『管理者として実行される』か、回すためにconverter.exeの上でプロパティを変化させることがきちんとすべてのアセットを生み出すというわけではないかもしれないことを確認する必要があります。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Running Converter generates assets from the GDTs located in the \source_data folder that some of the tools will rely on. 実行コンバータは、ツールのいくらかが依存する\source_dataフォルダに位置するGDTから、アセットを生み出します。 Note The first time you run Converter it may take a few minutes to complete because it s generating all the assets from the GDTs for the first time. メモ： 初めて、あなたはそれが初めてGDTからすべてのアセットを生み出しているので、完了するのに２、３分かかるかもしれないコンバータを実行します。 Converter is an automated process, so just click the Converter button on the Launcher under the Applications tab and let it run. コンバータは自動化されたプロセスであるので、ちょっとアプリケーション・タブの下でラウンチャーのコンバータ・ボタンをクリックしてください、そして、それに実行させてください。 ERROR dll version number does not match converter version You will get that error at the very end of running Converter; it is normal. エラー： dllバージョン番号は、あなたが実行コンバータのまさしくその最後でそのエラーのために得るコンバータ・バージョンにマッチしません; それは普通です。 Storing/Running Mods Since Call of Duty World At War is a Games For Windows title, custom content now needs to live in your Documents and Settings/YOUR_USERNAME/Local Settings/Application Data/Activision/CoDWaW or AppData/Local Data/Activision/CoDWaW/ for XP or Vista, respectively. You still use the root game directory as a development environment, but to play your content you will need to copy your mods to the new designated area. Launcher conveniently does this for your automatically when you compile a map or build a mod, but when you share your content be sure it is clear to users on where exactly to place your mods. Call of Duty World at WarがWindowsタイトルのためのゲームであるので、カスタムメイドのコンテンツは直ちに、それぞれ、XPまたはVistaのためにあなたのDocuments and Settings/YOUR_USERNAME/Local Settings/Application Data/Activision/CoDWaWまたはAppData/Local Data/Activision/CoDWaW/で生きる必要があります。 あなたは開発環境としてまだルートgameディレクトリを使います、しかし、あなたのコンテンツをするために、あなたはあなたのModを新しい指定された地域へコピーする必要があります。 ラウンチャーは、うまい具合にこれをしますあなた自動的に、あなたがマップをコンパイルするか、Modを造るとき、それがどこに正確にあなたのModを置くべきかについて、ユーザーに明らかであると確信してほんのあなたがあなたのコンテンツを共有するとき。 Trying to run mods from the root directory of where your game is installed is the wrong way in Call of Duty World at War. Forcing the game to run mods from the game installation directory using dvars like fs_BaseGame or fs_localAppData is not intended/supported and may affect your profile/stats, Punkbuster, other users trying to run the mod who store mods in the correct folder, and/or the actual mods if you do not use the Documents and Settings(XP)/Local Data(Vista) folder. あなたのgameがどこにインストールされるかというルート・ディレクトリからModを実行しようとすることが、Call of Duty World at Warの間違った方法です。 あなたがドキュメントと設定（XP）/ローカル・データ（Vista）フォルダを使わないならば、gameにfs_BaseGameまたはfs_localAppDataのようなdvarsを使っているgameインストール・ディレクトリからModを実行することを強制することは意図されていなくて/支えられないで、あなたのプロフィール/統計、Punkbuster、Modを正しいフォルダに保存するModを実行しようとしている他のユーザーや実際のModに影響を及ぼすかもしれません。 (Original "http //wiki.treyarch.com/wiki/Downloading_And_Installing_The_Tools") 名前 すべて読む